He Films His Wedding Night and Upload It Accidentally on Facebook
The Social Network | |
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![]() Theatrical release affiche | |
Directed by | David Fincher |
Screenplay by | Aaron Sorkin |
Based on | The Adventitious Billionaires by Ben Mezrich |
Produced past |
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Starring |
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Cinematography | Jeff Cronenweth |
Edited by |
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Music by |
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Production |
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Distributed by | Sony Pictures Releasing |
Release dates |
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Running time | 120 minutes[2] |
Country | United States |
Language | English |
Budget | $40 1000000[3] |
Box office | $224.nine million[3] |
The Social Network is a 2010 American biographical drama picture show directed past David Fincher and written by Aaron Sorkin. Adapted from Ben Mezrich'due south 2009 book The Adventitious Billionaires, it portrays the founding of social networking website Facebook and the resulting lawsuits. It stars Jesse Eisenberg equally founder Mark Zuckerberg, along with Andrew Garfield as Eduardo Saverin, Justin Timberlake equally Sean Parker, Armie Hammer as Cameron and Tyler Winklevoss, and Max Minghella every bit Divya Narendra. Neither Zuckerberg nor any other Facebook staff were involved with the projection, although Saverin was a consultant for Mezrich'southward volume.[4]
Production of the film began in 2009, when Eisenberg, Timberlake, and Garfield were all appear to star. Primary photography began that same year in October in Cambridge, Massachusetts, and lasted until November. Additional scenes were shot in California, in the cities of Los Angeles and Pasadena, as a portion of the film was set in Silicon Valley. In 2010, information technology was announced that Trent Reznor and Atticus Ross would create the film's score, which released on September 28, 2010.
The film released in the Us past Columbia Pictures on October 1, 2010. A major critical and commercial success, the motion picture grossed $224 1000000 on a $40 1000000 budget and was widely acclaimed past critics. It was named one of the best films of the year past 78 critics, and named the best by 22 critics, the most of whatsoever moving-picture show that year. It was also chosen by the National Board of Review as the best picture of 2010. At the 83rd University Awards, information technology received 8 nominations, including for Best Picture, Best Director, and Best Histrion for Eisenberg, and won iii: Best Adjusted Screenplay, Best Original Score, and All-time Picture Editing. It also received awards for All-time Move Picture – Drama, Best Director, Best Screenplay, and All-time Original Score at the 68th Golden Earth Awards.
The Social Network has maintained a strong reputation since its initial release, and is commonly cited past critics every bit one of the best films of its corresponding decade and century.[5] [6] [7] [eight] The Writers Guild of America ranked Sorkin's screenplay the 3rd greatest of the 21st century.[9] While no official sequel has been appear, Sorkin has publicly expressed interest and willingness to write a screenplay for ane should Fincher return to straight.[ten]
Plot [edit]
On October 28, 2003, 19-year-one-time Harvard University sophomore Marking Zuckerberg is dumped by his girlfriend, Erica Albright. Returning to his dorm, Zuckerberg writes an insulting mail service about Albright on his LiveJournal blog. He creates a campus website called Facemash by hacking into college databases to steal photos of female person students, then allowing site visitors to rate their attractiveness. After traffic to the site crashes parts of Harvard'southward reckoner network, Zuckerberg is given half-dozen months of bookish probation. However, Facemash's popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra. The trio invites Zuckerberg to work on Harvard Connection, a social network exclusive to Harvard students and aimed at dating. Zuckerberg approaches his friend Eduardo Saverin with an thought for The Facebook, a social networking website that would exist sectional to Ivy League students. Saverin provides $one,000 in seed funding, allowing Zuckerberg to build the website, which quickly becomes popular. When they larn of The Facebook, the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while misleading them past stalling development on the Harvard Connectedness website. They raise their complaint with Harvard President Larry Summers, who is dismissive and sees no value in either disciplinary action on The Facebook or Zuckerberg.
Saverin and Zuckerberg meet fellow student Christy Lee, who asks them to "Facebook me," a phrase that impresses them. As The Facebook grows in popularity, Zuckerberg expands the network to Yale University, Columbia University, and Stanford Academy. Lee arranges for Saverin and Zuckerberg to meet Napster co-founder Sean Parker, who presents a "billion-dollar" vision for the company. Zuckerberg is impressed, only Saverin dismisses him every bit paranoid and delusional. Parker also suggests renaming the site to Facebook. Later, Zuckerberg relocates the company to Palo Alto on Parker's advice; Saverin remains in New York to piece of work on business evolution. Parker afterwards moves into the house that Zuckerberg is using as a base of operations and becomes more involved with the company, much to Saverin's badgerer.
While competing in the Henley Royal Regatta for Harvard against the Hollandia Roeiclub, the Winklevoss twins discover that Facebook has expanded to Europe with Oxford, Cambridge and LSE, and decide to sue the visitor for intellectual property theft. Meanwhile, Saverin objects to Parker making business decisions for Facebook and freezes the company'south banking company account in the resulting dispute. He relents when Zuckerberg reveals that they take secured $500,000 from angel investor Peter Thiel. Saverin becomes enraged when he discovers that the new investment deal allows his share of Facebook to be diluted from 34% to 0.03% while maintaining the ownership percentage of all other parties. He confronts Zuckerberg and Parker, and Saverin vows to sue Zuckerberg before existence ejected from the building. Saverin's proper noun is removed from the masthead as co-founder and CFO. Later, Parker is apprehended for cocaine possession at a party celebrating ane million users. He attempts to blame Saverin, so Zuckerberg cuts ties with him, telling him to "go dwelling house."
In separate depositions, the Winklevoss twins merits that Zuckerberg stole their thought, while Saverin claims his shares of Facebook were unfairly diluted when the company was incorporated. Marylin Delpy, a junior lawyer for the defense, informs Zuckerberg that they will settle with Saverin since the sordid details of Facebook'southward founding and Zuckerberg'due south callous attitude will make him unsympathetic to a jury. Alone, Zuckerberg sends a Facebook friend request to Albright and repeatedly refreshes the folio. Texts show saying the Winklevoss twins received a settlement of 65 million dollars, signed a not-disclosure agreement, and rowed for the U.S. Olympic squad in Beijing, placing 6th. Eduardo Saverin received an unknown settlement and his name got restored to the Facebook masthead. Facebook has 500 million members in 207 countries, is currently valued at 25 billion dollars, and Marking Zuckerberg is the youngest billionaire in the world.
Cast [edit]
- Jesse Eisenberg as Marker Zuckerberg[11]
- Andrew Garfield as Eduardo Saverin[12]
- Justin Timberlake as Sean Parker[13]
- Armie Hammer every bit Cameron and Tyler Winklevoss[14]
- Max Minghella as Divya Narendra[14]
- Brenda Vocal as Christy Lee[14]
- Rashida Jones as Marylin Delpy[fifteen] [16]
- John Getz as Sy[17]
- David Selby every bit Cuff[17]
- Denise Grayson as Gretchen[17]
- Douglas Urbanski as Larry Summers[17]
- Rooney Mara equally Erica Albright[fourteen]
- Joseph Mazzello as Dustin Moskovitz[fourteen]
- Dustin Fitzsimons every bit The Phoenix – Southward Thou Club President[xviii]
- Wallace Langham as Peter Thiel[19]
- Patrick Mapel as Chris Hughes[14]
- Dakota Johnson as Amelia Ritter[fourteen]
- Malese Jow as Alice Cantwel[xx]
- Trevor Wright as B.U. Guy in Bra[17]
- Shelby Immature as M.C.[21]
- Aaron Sorkin as Ad Executive[17]
- Steve Sires as Pecker Gates[22]
- Caleb Landry Jones equally a fraternity brother[23]
Josh Pence is the body double for Hammer, whose likeness was digitally imposed onto Pence'south body; he also appears in a cameo role as the human being beingness detoured from the bath by Zuckerberg and Saverin.[24]
Production [edit]
Screenplay [edit]
Screenwriter Aaron Sorkin said, "What attracted me to [the picture project] had nothing to do with Facebook. The invention itself is equally modern as it gets, only the story is equally old equally storytelling; the themes of friendship, loyalty, jealousy, class and power." He said he read an unfinished draft of The Accidental Billionaires when the publisher began "shopping it around" for a film adaptation. According to Sorkin, "I was reading it and somewhere on folio three I said yeah. It was the fastest I said yep to anything ... They wanted me to start right away. Ben and I were kind of doing our research at the same time, sort of along parallel lines."[25]
Co-ordinate to Sorkin, Mezrich did not send him fabric from his book as he wrote it: "Two or 3 times nosotros'd gather. I'd go to Boston, or nosotros'd meet in New York and kind of compare notes and share information, merely I didn't see the book until he was done with information technology. Past the time I saw the book, I was probably 80 percent washed with the screenplay."[25] Sorkin elaborated:
There'south a lot of available research, and I too did a lot of beginning person enquiry with a number of the people that were involved in the story. I can't go too deeply into that because most of the people did it on the condition of anonymity, only what I found was that two lawsuits were brought against Facebook at roughly the same fourth dimension, that the defendant, plaintiffs, witnesses all came into a degradation room and swore under oath, and 3 different versions of the story were told. Instead of choosing ane and deciding that's the truest one or choosing one and deciding that'south the juiciest one, I decided to dramatize the thought that in that location were iii different versions of the story beingness told. That's how I came up with the structure of the deposition room.[25]
Casting [edit]
Casting began in mid-2009, with Jesse Eisenberg, Justin Timberlake, and Andrew Garfield announced to star.[26] [27] Jonah Hill was in contention for Timberlake'southward role, but director David Fincher passed on him.[28] In Oct 2009, Brenda Song, Rooney Mara, Armie Hammer, Shelby Young, and Josh Pence were cast.[29] Max Minghella and Dakota Johnson were as well confirmed.[29] In a 2009 interview with The Baltimore Lord's day, Eisenberg said, "Even though I've gotten to be in some wonderful movies, this character seems so much more overtly insensitive in and so many ways that seem more real to me in the best way. I don't often go cast as insensitive people, so it feels very comfy: fresh and heady, every bit if you never have to worry about the audience. Not that I worry most the audience anyway – it should exist simply the furthest thing from your mind. The Social Network is the biggest relief I've ever had in a movie".[30] In 2010, it was mentioned that Rashida Jones would appear as Marylin Delpy.[16]
Filming [edit]
Principal photography began in October 2009 in Cambridge, Massachusetts.[31] Scenes were filmed effectually the campuses of two Massachusetts prep schools, Phillips Academy and Milton Academy.[32] Additional scenes were filmed on the campus of Wheelock College, which was fix to be Harvard's campus.[33] (Harvard has turned downward most requests for on-location filming always since the filming of Love Story (1970), which acquired pregnant physical harm to trees on campus.)[34] Filming took place on the Keyser and Wyman quadrangles in the Homewood campus of Johns Hopkins University from November ii–4,[35] which also doubled for Harvard in the flick.[36] The commencement scene in the film, where Zuckerberg is with his girlfriend, took 99 takes to cease.[4] The film was shot on the Carmine One digital cinema camera.[37] The rowing scenes with the Winklevoss brothers were filmed at Customs Rowing Inc. in Newton, Massachusetts[38] and at the Henley Royal Regatta; miniature faking process was used in a sequence showing a rowing outcome at the latter.[39] Although a significant portion of the latter half of the motion-picture show is set in Silicon Valley, the filmmakers opted to shoot those scenes in Los Angeles and Pasadena.
Armie Hammer, who portrayed the Winklevoss twins, acted alongside body double Josh Pence while his scenes were filmed. His face up was later digitally grafted onto Pence'south face during mail-production, while other scenes used split-screen photography. Pence was concerned well-nigh having no face time during the part, just after considerable musing thought of the role equally a "no-brainer". He likewise appears in a cameo part elsewhere in the film.[24] Hammer states that director David Fincher "likes to button himself and likes to push engineering" and is "i of the almost technologically minded guys I've ever seen."[40] This included sending the actors to "twin boot camp" for x months to learn everything about the Winklevosses.[24]
Rowing production [edit]
Harvard's rowing tradition is depicted in the film.
Community Rowing Inc. held a casting call and a tryout for 20 rowing extras; some were graduates from Harvard, Northeastern University, Boston Academy, George Washington Academy, and Trinity College, every bit well equally local club rowers from Wedlock Boat Order and Riverside Boat Club.[41] None of the cast rowing extras for the Henley Royal Regatta racing scene appeared in the film; filming for the race was originally planned to accept identify in Los Angeles, but Fincher decided to movie in England during production.[42]
David Fincher hired Loyola Marymount coach Dawn Reagan to help railroad train Josh Pence and Armie Hammer.[43] While Hammer was new to the sport, Pence rowed previously at Dartmouth Higher.[43]
The indoor rowing scene was filmed at Boston University's indoor rowing tanks. All of BU'due south blue oars in the scene were repainted to Harvard'due south crimson color for filming. Dan Boyne was the official rowing consultant in the US and the UK.[42]
Soundtrack [edit]
On June 1, 2010, it was appear that Trent Reznor and Atticus Ross would score the film.[44] The soundtrack was released September 28 in diverse formats nether the Null Corporation label.[45] Leading up to the release of the soundtrack, a free five-rail EP was fabricated bachelor for download.[46] The White Stripes' song "Ball and Beige" can be heard in the opening of the picture and The Beatles' song "Infant, You're a Rich Man" concludes the film. Neither vocal appears on the soundtrack album.
Reznor and Ross won the accolade for Best Original Score at the 2011 Golden Globe Awards,[47] as well as the 2011 Academy Laurels for All-time Original Score.
Marketing [edit]
Poster [edit]
The first theatrical affiche, designed past Neil Kellerhouse, was released on June 18, 2010.[48] As Kellerhouse previously designed posters for the films of Steven Soderbergh, manager David Fincher's friend, he was contacted past Ceán Chaffin in late 2009 to work on the key art for The Social Network, which had to make sole use of i approved photo, that of Eisenberg'southward head.[49] Equally he wanted to highlight the tremendous drama that went with Marking Zuckerberg's success, Kellerhouse thought of the tagline "You don't get to 300 meg friends without making a few enemies"; he would later adjust the line to "500 million friends" in anticipation of Facebook reaching 500 million users by the film's release date.[49] Kellerhouse's affiche has been praised for its unique and "striking" pattern, and alongside his piece of work for the film I'm Even so Hither, has since become highly influential in moving-picture show marketing; posters for The King's Speech and The Armstrong Lie strongly evoked the affiche'south pattern format.[50] [51]
Trailers [edit]
The film'due south kickoff teaser trailer was released on June 25, 2010.[52] The 2nd teaser was released on July 8.[53] The full length theatrical trailer debuted on July xvi, 2010, which plays an edited version of the vocal "Creep", originally by Radiohead, covered by the Belgian choir grouping Scala & Kolacny Brothers.[54] [55] The trailer was so shown in theaters, prior to the films Inception, Dinner for Schmucks, Common salt, Easy A, The Virginity Hit, and The Other Guys. The theatrical trailer, put together by Mark Woollen & Assembly, won the K Primal Fine art award at the 2011 Key Fine art Awards,[56] sponsored by The Hollywood Reporter, and was also featured on The Film Informant 's Perfect x Trailers in 2010.[57]
Release [edit]
The Social Network had its first screening at the New York Film Festival on September 24, 2010.[1]
Box role [edit]
The pic was released in theaters in the Usa on the weekend of October one–3, 2010. Information technology debuted at No. 1, grossing $22.4 one thousand thousand in ii,771 theaters.[three] The film retained the superlative spot in its second weekend, dropping only 31.2%,[3] breaking Inception 's 32.0% record every bit the smallest second weekend drib for whatsoever number-one flick of 2010, while beingness the third-smallest overall behind Secretariat 's 25.1% drop and Tooth Fairy'southward 28.six% drop. At the end of its theatrical run, the moving picture grossed $97 million in the Us and $128 one thousand thousand in other territories for a worldwide total of $224.nine million.[3]
Critical reception [edit]
On review aggregator Rotten Tomatoes, the film has an blessing rating of 96% based on 326 reviews, with an average rating of 9/10. The website's critical consensus reads, "Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, ambitious example of modernistic filmmaking at its finest."[58] On Metacritic, the film has a weighted boilerplate score of 95 out of 100, based on 42 critics, indicating "universal acclaim".[59] Audiences polled by CinemaScore gave the motion-picture show an average grade of "B+" on an A+ to F calibration.[60]
From The Guardian, Peter Bradshaw gave the film iv stars, praising David Fincher'south directing as the "right intensity and claustrophobia for a story that takes identify largely in a stupefyingly male environs at Harvard University in 2003".[61] In her review for The Verge, Kaitlyn Tiffany wrote positive comments on Aaron Sorkin'south screenplay, writing that his "reflex for writing witty, whiny men with outsized intellect and poorly disguised narcissism serves as an advantage instead of a handicap."[62] The moving-picture show's editing by Kirk Baxter and Angus Wall was too lauded by critics, leading to their win of the Academy Award for Best Film Editing.[63] Additionally, the film's score received positive commentary, with some reviewers stating that it was "a persistent source of simmering tension in the movie", and a "masterpiece".[64] [65]
Roger Ebert of the Chicago Dominicus-Times, giving it iv stars and naming it the all-time film of the year, wrote: "David Fincher's motion picture has the rare quality of being non only as smart as its brilliant hero, merely in the aforementioned way. It is cocksure, impatient, cold, exciting and instinctively perceptive."[66] Peter Travers of Rolling Stone gave the moving picture his starting time full iv-star rating of the yr and said: "The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking information technology further. Lacing their scathing wit with an aching sadness, they define the dark irony of the by decade."[67] The Harvard Crimson review chosen it "flawless" and gave it five stars.[68]
Joe Morgenstern in The Wall Street Journal praised the motion-picture show every bit exhilarating but noted: "The biographical part takes liberties with its subject. Aaron Sorkin based his screenplay on [...] The Adventitious Billionaires, so everything that's seen isn't necessarily to be believed."[69] Among the flick's very few negative reviewers was Nathan Heller of Slate, who described it as "rote and deeply mediocre" likewise as "maddeningly generic", and believed that, "Sorkin and Fincher'due south 2003 Harvard is a citadel of erstwhile coin, regatta blazers, and (if I am not misreading the implication hither) a Jewish underclass striving beneath the heel of a WASP-centric, socially callous culture... to get the university this wrong in this motion picture is no small matter."[70]
The Social Network appeared on 78 moving-picture show critics' top-ten lists of the best films of 2010, based on Metacritic'southward aggregation. Out of the critics, 22 ranked the flick first, and 12 ranked the picture show second. Out of the films of 2010, The Social Network appeared on the most meridian-ten lists.[71] [72] In 2016, The Social Network was voted the 27th-all-time motion picture of the 21st century past the BBC, every bit voted on past 177 picture show critics from around the world.[73]
In 2018, IndieWire writers ranked the script the quaternary best American screenplay of the 21st century, with Michael Nordine arguing that "everything came together nigh perfectly on the moving-picture show, thanks in large role to Aaron Sorkin's Oscar-winning screenplay. Its finds the loquacious scribe at his all-time, with all the verbal takedowns [...] and rapid-burn back-and-forths nosotros've come up to look (and, by and large, beloved) from him. Sorkin'due south portrayal of Marking Zuckerberg was hardly flattering, merely contempo headlines suggest it may have been too sympathetic."[74]
Home media [edit]
The Social Network was released on DVD and Blu-ray January 11, 2011. In its get-go calendar week of release, DVD sales totaled $13,470,305 and it was the number-1-sold DVD of the week.[75] The DVD includes an audio commentary with director David Fincher, and a 2d commentary with writer Aaron Sorkin and the cast. The Blu-ray and ii-disc DVD releases include the commentaries, along with a feature-length documentary, How Did They Ever Make a Movie of Facebook?, featurettes, Angus Wall, Kirk Baxter and Ren Klyce on Post, Trent Reznor, Atticus Ross and David Fincher on the Score, In the Hall of the Mountain King: Reznor'south Starting time Draft, Swarmatron, Jeff Cronenweth and David Fincher on the Visuals, and a Cerise Skye VIP Room: Multi-Bending Scene Breakdown feature.[76]
Accolades [edit]
The Social Network won the All-time Movement Picture – Drama Golden World at the 68th Golden Globe Awards on January 16, 2011.[77] The motion picture also won the awards for Best Managing director, Best Screenplay, and Best Original Score, making it the film with the most wins of the night.[78]
The film was nominated for seven British Academy Flick Awards, including All-time Film, Best Thespian in a Leading Role (Jesse Eisenberg), Best Histrion in a Supporting Role (Andrew Garfield), and Rise Star Award (Andrew Garfield). It won three for Best Editing, Adapted Screenplay, and All-time Direction on February xiii, 2011.[79]
The Social Network received nominations for viii Academy Awards: Best Motion picture, All-time Actor, Best Cinematography, Best Director, Best Picture Editing, Best Original Score, Best Audio Mixing, and All-time Adapted Screenplay.[lxxx] It won three for Best Adapted Screenplay, Best Original Score, and Best Film Editing at the 83rd Academy Awards on February 27, 2011.
The picture won All-time Picture from the National Board of Review, National Society of Film Critics, New York Picture Critics Circumvolve, and Los Angeles Picture Critics Association, making it only the 3rd motion picture in history—after Schindler's Listing (1993) and L.A. Confidential (1997)—to sweep the "Large Iv" critics awards.[81] The film likewise won the "Hollywood Ensemble Award" from the Hollywood Moving-picture show Awards.[82]
Historical accuracy [edit]
Facebook founder Mark Zuckerberg expressed his dissatisfaction with the film being fabricated well-nigh him and noted that much of the motion-picture show's plot was not factual.
The script was leaked online in July 2009.[83] [84] In November 2009, executive producer Kevin Spacey said, "The Social Network is probably going to be a lot funnier than people might expect it to be."[85] The Cardinal Courier stated that the moving-picture show was about "greed, obsession, unpredictability and sex" and asked, "Although there are over 500 meg Facebook users, does this hateful Facebook can become a profitable blockbuster movie?"[86]
At the D8 conference hosted by D: All Things Digital on June 2, 2010, host Kara Swisher told Zuckerberg she knew he was not happy with The Social Network being based on him, to which he replied, "I merely wished that nobody made a motion picture of me while I was however alive."[87] Zuckerberg stated to Oprah Winfrey that the drama and partying of the moving-picture show is generally fiction, and that he had spent near of the past six years focusing, working hard, and coding Facebook.[88] Speaking to an audience at Stanford University, Zuckerberg said that instead of making Facebook to "get girls", he made it because he enjoyed "building things".[89] He added that the film accurately depicted his wardrobe, maxim, "Information technology'due south interesting the stuff that they focused on getting right—like every single shirt and fleece they had in that motion picture is actually a shirt or fleece that I own."[89]
Facebook co-founder Dustin Moskovitz chosen the motion picture a "dramatization of history ... it is interesting to see my past rewritten in a way that emphasizes things that didn't thing, (like the Winklevosses, who I've withal never even met and had no part in the piece of work we did to create the site over the past 6 years) and leaves out things that really did (like the many other people in our lives at the time, who supported us in innumerable ways)". According to Moskovitz:[xc]
A lot of exciting things happened in 2004, but mostly we but worked a lot and stressed out well-nigh things; the version in the trailer seems a lot more exciting, and then I'm simply going to choose to think that nosotros drank ourselves silly and had a lot of sex with coeds. ... The plot of the book/script unabashedly attacked [Zuckerberg], only I actually felt like a lot of his positive qualities come out truthfully in the trailer (soundtrack aside). At the terminate of the day, they cannot help but portray him equally the driven, forwards-thinking genius that he is.
Co-founder Eduardo Saverin said "the movie was clearly intended to be entertainment and not a fact-based documentary".[91] Sorkin said: "I don't want my allegiance to exist to the truth; I want information technology to be to storytelling. What is the big bargain about accuracy purely for accuracy's sake, and can nosotros not have the true be the enemy of the skillful?"[4]
Journalist Jeff Jarvis acknowledged the film was "well-crafted" simply called it "the anti-social flick", objecting to Sorkin's decision to alter diverse events and characters for dramatic effect, and dismissing it every bit "the story that those who resist the alter society is undergoing desire to see".[92] Applied science broadcaster Leo Laporte concurred, calling the pic "anti-geek and misogynistic".[93] Sorkin responded to these allegations by proverb, "I was writing about a very angry and deeply misogynistic group of people".[94]
Andrew Clark of The Guardian wrote that "in that location's something insidious almost this genre of [docudrama] scriptwriting", wondering if "a 26-year-sometime businessman actually deserves to have his name dragged through the mud in a murky mixture of fact and imagination for the general entertainment of the picture-viewing public?". Clark added, "I'm not sure whether Mark Zuckerberg is a punk, a genius or both. Simply I won't exist seeing The Social Network to find out."[95]
Mashable founder and CEO Pete Cashmore, blogging for CNN, said: "If the Facebook founder [Zuckerberg] is concerned about existence represented equally annihilation but a genius with an industrious work ethic, he can breathe a sigh of relief."[96] Jessi Hempel, a technology writer for Fortune who says she's known Zuckerberg "for a long time", wrote of the film:
The real-life Zuckerberg was maniacally focused on edifice a web site that could potentially connect anybody on the planet...Past contrast, in the movie he seems more than obsessed with achieving the largesse that bad boy Sean Parker, an original Napster founder, portrays when he arrives to meet Zuckerberg at a New York eating place.[97]
Harvard Law Schoolhouse professor Lawrence Lessig wrote in The New Democracy that Sorkin's screenplay does non acknowledge the "real villain" of the story:
The total and accented absurdity of the world where the engines of a federal lawsuit become cranked up to adjudicate the hurt feelings (because "our thought was stolen!") of entitled Harvard undergraduates is completely missed by Sorkin. We tin can't know enough from the film to know whether in that location was actually whatsoever substantial legal claim here. Sorkin has been upfront about the fact that there are fabrications aplenty lacing the story. Only from the story as told, we certainly know plenty to know that whatever legal organisation that would allow these kids to extort $65 million from the well-nigh successful business this century should be ashamed of itself. Did Zuckerberg breach his contract? Maybe, for which the damages are more like $650, non $65 million. Did he steal a trade clandestine? Absolutely non. Did he steal any other "property"? Admittedly not—the lawmaking for Facebook was his, and the "idea" of a social network is non a patent. It wasn't justice that gave the twins $65 1000000; information technology was the fear of a random and inefficient organisation of law. That system is a tax on innovation and creativity. That revenue enhancement is the existent villain here, not the innovator it burdened.[98]
In an onstage discussion with The Huffington Post co-founder Arianna Huffington, during Advert Week 2010 in New York, Facebook's Chief Operating Officer Sheryl Sandberg said she had seen the motion-picture show and it was "very Hollywood" and mainly "fiction". "In real life, he [Zuckerberg] was merely sitting effectually with his friends in front of his computer, ordering pizza", she declared. "Who wants to go come across that for two hours?".[99]
Divya Narendra said that he was "initially surprised" to see himself portrayed by the non-Indian actor Max Minghella, but also admitted that the actor did a "good task in pushing the dialogue forward and creating a sense of urgency in what was a very frustrating menses".[100]
Legacy [edit]
Preliminary bear on [edit]
Since its release, The Social Network has been cited equally inspiring involvement in start-ups and social media.[101] Bob Lefsetz has stated that: "watching this pic makes you want to run from the theatre, grab your laptop and build your own empire,"[102] noting that The Social Network has helped fuel an emerging perception that "techies accept go the new rock stars."[103] This has led Dave Knox to comment that: "fifteen years from at present we might just look dorsum and realize this motion picture inspired our next great generation of entrepreneurs."[102] After seeing the pic, Zuckerberg was quoted as saying he is "interested to see what outcome The Social Network has on entrepreneurship", noting that he gets "lots of messages from people who merits that they take been very much inspired... to commencement their own visitor."[104] Saverin echoed these sentiments, stating that the motion-picture show may inspire "countless others to create and accept that leap to showtime a new business."[105] In one such case, the co-founders of Wall Street Magnate confirmed that they were inspired to create the fantasy trading community after watching The Social Network.[106]
Following his success with the film, Sorkin became attached to some other project well-nigh a technology company, writing the script for the 2015 biopic Steve Jobs, which used a similar format.[107] Another Facebook motion-picture show may be produced, equally Sheryl Sandberg has signed a deal with Sony Pictures Amusement to develop her 2013 volume Lean In: Women, Piece of work and the Will to Lead, into a motion picture.[108]
Postal service-2010s assessment [edit]
Post-obit the shut of the decade, The Social Network was recognized as one of the best films of the 2010s. Metacritic reported that information technology was listed on over xxx pic critics' summit-ten lists for the 2010s, including eight commencement-identify rankings and four second-place rankings. Metacritic ranked The Social Network third overall, following Mad Max: Fury Route and Moonlight.[109] Esquire named The Social Network the all-time of the 2010s, calling information technology Citizen Kane "for the Net historic period" and dubbing it "the picture of our new millennium".[110] With Facebook going "from a utopian, world-shrinking strength of good to a potential threat to democracy", Esquire wrote, "Fincher seemed to sense all of this and more long before anyone else. And his brilliant, troubling motion picture bristles with that queasy sense of prophecy and prescience."[110] Polygon, calling The Social Network the all-time pic of the decade, wrote, "The Social Network, by gamble or by design, has become i of the almost immensely relevant movies of this decade... But after nearly a decade of watching Facebook 'move fast and break things,' including news websites, social video, politics, etc., the movie'southward tangible sense of tension can easily be reinterpreted as foreboding for what comes later you lot make a billion friends."[111] Director Quentin Tarantino called the film the all-time of the 2010s, singling out the script by Aaron Sorkin, whom he described every bit "the greatest agile dialogist".[112]
Rolling Stone ranked The Social Network second after Moonlight (2016) on its end-of-decade list, describing it as "ane deliciously re-watchable preview of the apocalypse, as entertaining and cheeky as it is troubling and startlingly prescient".[113] Time Out named information technology the fourth-best of the decade, "Powered by a relentless, clinical Aaron Sorkin script, directed with sinuous grace by David Fincher and loaded with smirking, smart-donkey central performances, The Social Network is arguably the most important and prophetic film of our era, itself a depressing idea."[114] ScreenCrush ranked The Social Network eighth, referring to it every bit "[Fincher's] spiritual sequel to Fight Gild, another story of a embittered, lonely man who discovers unleashing his rage at society has unexpected consequences".[115] Mashable, list The Social Network amid the top 15 films of the 2010s, said of the story, "It was everything young people could be and everything older generations feared in us before a decade of blaming [us for] problems nosotros didn't create and tin't solve."[116] IndieWire ranked The Social Network sixteenth among the decade's films, writing, "The Social Network is both a thrilling, queasy exploration of how Facebook came to be and a searing indictment of what information technology would inevitably become."[117] Inverse listed the film among those defining "class rage" in the 2010s, "Equally a gently prodding diagnosis of form conflict, The Social Network is a logical place to start."[118]
Possible sequel [edit]
In January 2019, Sorkin revealed that Rudin has suggested the development of a screenplay for a sequel, noting, "A lot of very interesting, dramatic stuff has happened since the motion picture ends."[119] Sorkin also mentioned that in that location was indeed enough cloth to create a sequel.[120] On July 18, 2019, Eisenberg expressed his interests in starring in the proposed sequel, stating that "Sorkin is a genius, and if he chooses to write about something, I'll evidently be interested".[121] In October 2020, a decade afterward the film's release, Sorkin appear that he would but write the sequel's script if David Fincher returns as director.[122]
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External links [edit]
- Official website
- The Social Network at IMDb
- The Social Network at Rotten Tomatoes
- Official screenplay
Source: https://en.wikipedia.org/wiki/The_Social_Network
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